Quotenik
categorized under:

routine

“Your habits reflect your identity, so if you struggle to change a particular habit, re-think your identity.”

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source: pre-publication notes for her forthcoming book Better Than Before; more info here

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medium: author website

“It is my considered opinion that one reason you are not writing is that you are allowing yourself to read in the time set aside to write. You ought to set aside three hours every morning in which you write or do nothing else; no reading, no talking, no cooking, no nothing, but you sit there. If you write all right and if you don’t all right, but you do not read; whether you start something different every day and finish nothing makes no difference; you sit there. It’s the only way, I’m telling you. If inspiration comes you are there to receive it, you are not reading. And don’t write letters during that time. If you don’t write, don’t do anything else. And get in a room by yourself. If there are two rooms in that house, get in the one where nobody else is…”

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source: letter to Cecil Dawkins, November 12, 1960, in The Habit of Being: The Letters of Flannery O’Connor, ed. by Sally Fitzgerald (New York: Farrar, Straus and Giroux, 1979), 417–18.

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medium: Letter

“It’s very hard to stop doing things you’re used to doing. You almost have to dismantle yourself and scatter it all around and then put a blindfold on and put it back together so that you avoid old habits.”

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source: Lowside of the Road: A Life of Tom Waits, by Barney Hoskyns (New York: Three Rivers Press, 2010), 276.

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medium: Biography

“Don’t write when it moves you… Try to make it habitual, even if you just start with 15 minutes a day, two pages a day. Make it such a part of your routine that not doing it makes it a stranger.”

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“I’m married to my calling, but I’m not married to a particular woman. I have no pets. My apartment is full of books and records, the light of Toni Morrison and John Coltrane.”

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source: “Called Far and Wide to Touch Minds,” by Cara Buckley, The New York Times, January 22, 2010.

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medium: newspaper interview

“I go for long periods of apparent dormancy, when it looks for all the world like I’m just lying on the couch napping, with an open book placed picturesquely on my chest. But, in fact, things are simmering away. Eventually, I sit up and flip the laptop open and start typing. Then, I write every day for several weeks, mostly in the mornings, after I drop the kids off at school, and then again sometimes late at night after they go to bed. It’s fits and starts.”

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source: “Interview: Pulitzer Winner Paul Harding,” Beyond the Margins, September 30, 2010.

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medium: interview

“It is sometimes necessary to be silent for months before the central image of a book can occur. I do not write every day, I read every day, think every day, work in the garden every day, and recognize in nature the same slow complicity. The same inevitability. The moment will arrive, always it does, it can be predicted but it cannot be demanded. I do not think of this as inspiration. I think of it as readiness. A writer lives in a constant state of readiness. For me, the fragments of the image I seek are stellar; they beguile me, as stars do, I seek to describe them, to interpret them, but I cannot possess them, they are too far away.”

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source: nonfiction

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“Wearing down seven number-two pencils is a good day’s work.”

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source: The Paris Review Interviews, vol. I (New York: Picador, 2006), 40.

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medium: interview

notes: Originally published in Issue 18 of The Paris Review, 1958.

“It’s important to me to have a place to work outside of where I live. So I have always found myself an office. I go off to work as if I had a clock to punch; at the end of the day I come home as if I had just gotten off the commuter train. I need to impose a structure on myself.”

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source: The Paris Review Interviews, vol. I (New York: Picador, 2006), 383.

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medium: interview

notes: Originally published in Issue 138 of The Paris Review, 1996.

“I am a completely horizontal author. I can’t think unless I’m lying down, either in bed or stretched on a couch and with a cigarette and coffee handy. I’ve got to be puffing and sipping. As the afternoon wears on, I shift from coffee to mint tea to sherry to martinis.”

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source: The Paris Review Interviews, vol. I (New York: Picador, 2006), 28.

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medium: interview

notes: Originally published in Issue 16 of The Paris Review, 1957.

“Insult my sexual prowess, my intellect, but not my pancakes.”

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source: “He’s Sensitive About the Pancakes,” by Lizette Alvarez, The New York Times, March 25, 2010.

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medium: interview

notes: Richard Melville Hall is known by his stage name Moby. About his name, he said: "The basis for Richard Melville Hall—and for Moby—is that supposedly Herman Melville was my great-great-great-granduncle." (CNN)

“The sooner you establish a routine, the more smoothly your collaboration will advance.”

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source: The Collaborative Habit, written with Jesse Kornbluth (New York: Simon & Schuster, 2009), 26.

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medium: nonfiction

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