
“A cold winter night. I’m warm enough, yet I’m alone. And I realize that I’ll have to get used to existing quite naturally within this solitude, functioning there, working there, accompanied by, fastened to the ‘presence of absence.'”
Roland Barthes
more infosource: entry dated November 28, 1977, in Mourning Diary, translated by Richard Howard (New York: Hill and Wang, 2010), 69.
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category: absence, alone, grief, loneliness, mourning, nothing, solitude
medium: diary
notes: On index cards, Roland Barthes starting keeping a mourning diary the day after his mother died in October 1977.
“Everyone thinks that Beethoven had his string quartets completely in his head—they somehow formed in his head—and all he had to do was write them down, and they would kind of be manifest to the world. But what I think is so interesting, and what would really be a lesson that everybody should learn, is that things come out of nothing. Things evolve out of nothing. You know, that the tiniest seed in the right situation turns into the most beautiful forest. And then the most promising seed in the wrong situation turns into nothing. And I think this would be important for people to understand, because it gives people confidence in their own lives that that’s how things work.
If you walk around with the idea that there are some people who are so gifted—they have these wonderful things in their head but you’re not one of them, you’re just sort of a normal person, you could never do anything like that—then you live a different kind of life. You could have another kind of life, where you say, well, I know that things come from nothing very much, and start from unpromising beginnings. And I’m an unpromising beginning, and I could start something.”
Brian Eno
more infosource: quoted in Brian Eno’s Another Green World by Geeta Dayal (New York: Continuum International Publishing Group, 2009), 31.
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category: Beethoven, creativity, genius, music, nothing
medium: Conversation
via: Kevin Lippert“I always end up in the same place after I finish recording and touring an album: devoid of ideas, and afraid I won’t be able to write anything worthwhile again. One of the first thoughts to flicker into that void tends to be, How can I make my next work relate to what preceded it? I usually make a plan, which later reveals itself to be moot, but to which I cling for a little while, in a talismanic sense.”
Joanna Newsom
more infosource: “Joanna Newsom,” interviewed by Roy Harper, BOMB magazine, Issue 116, Summer 2011.
category: creative process, musician, nothing, tour, writing
medium: Interview
“How much can one remove, and still have the composition be intelligible? Chekhov removed the plot. Pinter, elaborating, removed the history, the narration; Beckett, the characterization. We hear it anyway.”
David Mamet
more infosource: “Writers on Writing; Hearing The Notes That Aren’t Played,” The New York Times, July 15, 2002.
category: edit, nothing, omission, subtraction, writing
medium: Newspaper Essay
“My first stepfather used to say that what I didn’t know would fill a book. Well, here it is.”
Tobias Wolff
more infosource: This Boy’s Life (New York: Grove Press, 1989), frontmatter.
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category: book, knowledge, nothing, writing
medium: Memoir
“I always say that I am able to use the interstices. There is a lot of space between atom and atom and electron and electron, and if we reduced the matter of the universe by eliminating all the space in between, the entire universe would be compressed into a ball. Our lives are full of interstices. This morning you rang, but then you had to wait for the elevator, and several seconds elapsed before you showed up at the door. During those seconds, waiting for you, I was thinking of this new piece I’m writing. I can work in the water closet, in the train. While swimming I produce a lot of things, especially in the sea. Less so in the bathtub, but there too.”
Umberto Eco
more infosource: “The Art of Fiction No. 197,” The Paris Review, Summer 2008, no. 185.
category: creative process, gap, nothing, space, writing
medium: interview
notes: Read transcript here
“We cannot think if we have no time to read, nor feel if we are emotionally exhausted, nor out of cheap material create what is permanent. We cannot co-ordinate what is not there.”
Cyril Connolly
more infosource: The Unquiet Grave (New York: Persea Books, 1981), 2.
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category: create, nothing, permanent
medium: nonfiction
notes: Ernest Hemingway described The Unquiet Grave as “a book which, no matter how many readers it will ever have, will never have enough.”
“For some reason, the idea of absence, of leaving things out, has been very important in my work.”
John Baldessari
more infosource: “No More Boring Art: John Baldessari’s Crusade,” by Calvin Tomkins, The New Yorker, October 18, 2010, 42–49.
category: absence, art, creative process, nothing
medium: magazine profile


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