Quotenik
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memory

“I’ve endured a few knocks but missed worse. I know how lucky I am, and secretly tap wood, greet the day, and grab a sneaky pleasure from my survival at long odds. The pains and insults are bearable. My conversation may be full of holes and pauses, but I’ve learned to dispatch a private Apache scout ahead into the next sentence, the one coming up, to see if there are any vacant names or verbs in the landscape up there. If he sends back a warning, I’ll pause meaningfully, duh, until something else comes to mind.”

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source: “This Old Man: Life in the Nineties,” New Yorker, February 17, 2014.

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medium: Essay

“But it is growing damp and I must go in. Memory’s fog is rising.”

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source: letter to her Louise and Frances Norcross, July 1884, in Emily Dickinson Letters (New York: Random House, 2011), 157.

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medium: Letter

“Poor old Black Dog. I miss him. In the early morning when I work, he’s not there on the kudu skin beside the typewriter; and in the afternoon when I swim, he’s not hunting lizards beside the pool; and in the evenings when I sit in my chair to read, his chin isn’t resting on my foot. I miss Black Dog as much as I miss any friend I ever lost.”

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source: Papa Hemingway: A Personal Memoir, by A. E. Hotchner (New York: Da Capo Press, 2005), 243.

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medium: Memoir

“…I’m extremely happy with her, and part of it has to do with the fact that she is at once completely familiar to me, so that I can be myself and she knows me very well and I trust her completely, but at the same time she is also a complete mystery to me in some ways. And there are times when we are lying in bed and I look over and sort of have a start. Because I realize here is this other person who is separate and different and has different memories and backgrounds and thoughts and feelings. It’s that tension between familiarity and mystery that makes for something strong, because, even as you build a life of trust and comfort and mutual support, you retain some sense of surprise or wonder about the other person.”

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source: “A Couple in Chicago,” interview by Mariana Cook, The New Yorker, January 19, 2009.

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medium: interview

notes: Interview originally conducted on May 26, 1996 by Mariana Cook, who visited the Obamas in Hyde Park as part of a photography project on couples in America.

“All things, once seen, they didn’t just die, that couldn’t be. It must be then that somewhere, searching the world, perhaps in the dripping multiboxed honeycombs where light was an amber sap stored by pollen-fired bees, or in the thirty thousand lenses of the noon dragonfly’s gemmed skull you might find all the colors and sights of the world in any one year. Or pour one single drop of this dandelion wine beneath a microscope and perhaps the entire world of July Fourth would firework out in Vesuvius showers.”

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source: Dandelion Wine (New York: Alfred A. Knopf, 1978), 160.

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medium: Fiction

“It was my father who insisted on turning everything into a treat. I remember his showing me how to eat a peach by building a little white mountain of sugar and then dipping the peach into it.”

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source: Memories of a Catholic Girlhood (New York: Harcourt, Brace and Company, 1957), 10.

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medium: Memoir

“I remember a backdrop of a brick wall I painted for a play. I painted each red brick in by hand. Afterwards it occurred to me that I could have just painted the whole thing red and put in the white lines.”

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source: I Remember (New York: Granary Books, 2001), 28.

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medium: Memoir

“I remember Saturday night baths and Sunday morning comics.”

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source: I Remember (New York: Granary Books, 2001), 26.

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medium: Memoir

“Family is like water—it has a memory of what it once filled, always trying to get back to the original stream.”

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source: Let the Great World Spin (New York: Random House, 2010), 57.

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medium: fiction

“Any nostalgia I feel is literary. I remember my childhood with tears, but they’re rhythmic tears, in which prose is already being formed. I remember it as something external, and it comes back to me through external things; I remember only external things. It’s not the stillness of evenings in the country that endears me to the childhood I spent there, it’s the way the table was set for tea, it’s the way the furniture was arranged in the room, it’s the faces and physical gestures of the people. I feel nostalgia for scenes.”

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source: The Book of Disquiet (New York: Penguin Books, 2002), 183–84.

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medium: autobiography

“I am like you in my boyish rejection of elderliness. Antiquity—why not come right out with it? You pack a snowball on a winter day and imagine taking a belly flop on your sled as we all used to do back in the beautiful Twenties—I was ten years old in 1925. All that remains is the freshness of the impulse.”

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source: letter to Albert Glotzer, dated April 19, 1996, in Saul Bellow: Letters (New York: Viking, 2010), 518.

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medium: letter

“The commander’s words relieve their stricken hearts: ‘My comrades, hardly strangers to pain before now, we all have weathered worse. Some god will grant us an end to this as well. You’ve threaded the rocks resounding with Scylla’s howling rabid dogs, and taken the brunt of the Cyclops’ boulders, too. Call up your courage again. Dismiss your grief and fear. A joy it will be one day, perhaps, to remember even this.'”

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source: The Aeneid, translated by Robert Fagles (New York: Viking Penguin, 2006), 54.

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medium: poetry

“The fluttering in the stomach goes away and the dull waking pain. Sometimes I think of you and I feel giddy. Memory makes me lightheaded, drunk on champagne. All the things we did. And if anyone had said this was the price I would have agreed to pay it. That surprises me; that with the hurt and the mess comes a shaft of recognition. It was worth it. Love is worth it.”

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source: Written on the Body (New York: Vintage Books, 1994), 156.

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medium: fiction

“But I remember so much, the way her hands dismantled bread, the thing her father said that hurt her, what she dreamed.”

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source: “Meditation at Lagunitas,” in The Columbia Anthology of American Poetry (New York: Columbia University Press, 1995), 715.

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medium: poetry

notes: quoted by Mary Karr in her Twitter feed

“It’s often said that we live in a permissive era, one with infinite second chances. But the truth is that for a great many people, the permanent memory bank of the Web increasingly means there are no second chances—no opportunities to escape a scarlet letter in your digital past. Now the worst thing you’ve done is often the first thing everyone knows about you.”

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source: “The Web Means the End of Forgetting,” The New York Times, July 19, 2010.

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medium: newspaper article

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