Quotenik
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magic

“Don’t let anyone say there aren’t magic words.”

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source: The Blazing World (New York: Simon and Schuster, 2014), 17.

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medium: Fiction

“What happened was pure magic. People from within the demonstrations broke out of the demonstrations and simply linked hands, and they said, ‘This is our library. Don’t touch it.'”

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source: “Egypt’s Jewel Of A Library Reopens, Thanks To Demonstrators,” by Selena Simmons-Duffin, NPR, Morning Edition, February 24, 2011.

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medium: radio news

“It is said that children do not distinguish between living and inanimate objects; I believe they do. A child imparts a doll or tin soldier with magical life-breath. The artist animates his work as the child his toys. Robert [Mapplethorpe] infused objects, whether for art or life, with his creative impulse, his sacred sexual power. He transformed a ring of keys, a kitchen knife, or a simple wooden frame into art. He loved his work and he loved his things. He once traded a drawing for a pair of riding boots—completely impractical, but almost spiritually beautiful. These he buffed and polished with the devotion of a groom dressing a greyhound.”

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source: Just Kids (New York: Ecco, 2010), 136.

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medium: memoir

“Writing about spiritual stuff for a secular audience is like doing card tricks on the radio.”

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source: “The Art of Memoir No. 1,” The Paris Review, Winter 2009, No. 191.

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medium: interview

notes: read transcript here

“I think elm-birth is the prettiest fairy tale in the city’s wonderbook, for the big trees are delivered at night, when earth hangs down away from the light and fowls are stirring on their roosts. In all the long swing of time there has never been a fortnight such as this—these midnights when late strolling citizens come suddenly on a giant elm, arriving furtively in the marketplace and sliding into position for early risers to discover on their way to work.”

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source: “Education,” in One Man’s Meat (New York: Harper & Row, Publishers, 1944), 57.

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medium: essay

notes: White wrote this essay in March 1939.

“Gradually the magic of the island settled over us as gently and clingingly as pollen. Each day had a tranquility, a timelessness, about it, so that you wished it would never end. But then the dark skin of night would peel off and there would be a fresh day waiting for us, glossy and colourful as a child’s transfer and with the same tinge of unreality.”

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source: My Family and Other Animals (New York: Penguin Books, 2004), 26.

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medium: memoir (travel)

“Ultimately I look upon writing as wings. We are pedestrians, we walk along the earth; we may love the earth, but the moment of absolute magic is when our imagination allows us to take flights into vaster, more entrancing worlds.”

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source: The Diary of Anaïs Nin (Vol 7, 1966–1974) (New York: Harcourt Brace Jovanovich, 1980), 85.

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medium: diary

notes: from spring, 1969 entry in Nin's diary

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