Quotenik
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Elizabeth McCracken

(b. 1966– )

U.S. author

“Seating plans, in my opinion, are a form of social incarceration.”

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source: The Giant’s House (New York: The Dial Press, 1996), 125.

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medium: Fiction

“People think librarians are unromantic, unimaginative. This is not true. Ask a mountain climber what he feels when sees a mountain; a lion tamer what goes through his mind when he meets a new lion; a doctor confronted with a beautiful malfunctioning body. The idea of a library full of books, the books full of knowledge, fills me with fear and love and courage and endless wonder. I knew I would be a librarian in college as a student assistant at a reference desk, watching those lovely people at work. ‘I don’t think there’s such a book—’ a patron would begin, and then the librarian would hand it to them, that very book.”

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source: The Giant’s House (New York: The Dial Press, 1996), 8.

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“A good librarian is not so different from a prospector, her whole brain a divining rod. She walks to books and stands and wonders: here? Is the answer here? The same blind faith in finding, even when hopeless. If someone caught me when I was in the throes of tracking something elusive, I would have told them: but it’s out there. I can feel it.”

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source: The Giant’s House (New York: Dial Press [trade paperback], 2007), 51.

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“Parenting tip: my 3-year-old will do anything a hand puppet asks him to.”

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source: Twitter, May 15th, 2010 1:19 PM via TweetDeck

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“The sky was peach and gold, a teacup of a morning, just enough clouds so as not to mock us.”

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source: An Exact Replica of a Figment of My Imagination (New York: Little, Brown and Company, 2008), 100.

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medium: memoir

“The dead don’t need anything. The rest of us could use some company.”

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source: An Exact Replica of a Figment of My Imagination (New York: Little, Brown and Company, 2008), 138.

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“That’s how it works. When a baby dies, other dead children become suddenly visible: Daughters and sons. First cousins. The neighbor kid. The first child. The last child. Your older brother. Some of their names have been forgotten; some never had names in the first place. They disappeared under heaps of advice. Don’t dwell. Have another child, a makeup baby. Life is for the living. But then another baby dies, and here they are again, in stories, and you will love them all, and—if you are the mother of a dead child yourself—they will keep coming to you. A couple I know just lost their baby. And you will know that your lost child has appeared somewhere else in the world. I know a couple…

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source: An Exact Replica of a Figment of My Imagination (New York: Little, Brown and Company, 2008), 136–37.

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“Perhaps it goes without saying that I believe in the geographic cure. Of course you can’t out-travel sadness. You will find it has smuggled itself along in your suitcase. It coats the camera lens, it flavors the local cuisine. In that different sunlight, it stands out, awkward, yours, honking in the brash vowels of your native tongue in otherwise quiet restaurants. You may even feel proud of its stubbornness as it follows you up the bell towers and monuments, as it pants in your ear while you take in the view. I travel not to get away from my troubles but to see how they look in front of famous buildings or on deserted beaches. I take them for walks. Sometimes I get them drunk. Back at home we generally understand each other better.”

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source: An Exact Replica of a Figment of My Imagination (New York: Little, Brown and Company, 2008), 132.

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“When I was a teenager in Boston, a man on the subway handed me a card printed with tiny pictures of hands spelling out the alphabet in sign language. I AM DEAF, said the card. You were supposed to give the man some money in exchange.
        I have thought of that card ever since, during difficult times, mine or someone else’s: surely when tragedy has struck you dumb, you should be given a stack of cards that explain it for you.”

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source: An Exact Replica of a Figment of My Imagination (New York: Little, Brown and Company, 2008), 73.

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medium: memoir

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