“I’m the least mystical person on the face of the earth.”

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“If you look at Seurat, most of the dots in the grass are green, the generic color of that area. The other colors only modify that color. I feel less kinship to Seurat than I do to Byzantine mosaics, where an image is built out of discreet incremental marks—chunks of stone or glass—that fit together. I want people to see what made the image. I like dropping crumbs along the trail like Hansel and Gretel. That’s what all these paintings are about.”

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“I think of my work as what used to be called women’s work: knitting, quilting. Women were busy cooking, raising children, so they had to have an activity that they could pick up and put down. A quilt may take a year, but if you just keep doing it, you get a quilt. Or if you knit one and pearl two, and you believe in the process, eventually you’ll make a sweater. There’s some aspect of that in me.”

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