Quotenik
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school of life

Be a good steward of your gifts. Protect your time. Feed your inner life. Avoid too much noise. Read good books, have good sentences in your ears. Be by yourself as often as you can. Walk. Take the phone off the hook. Work regular hours.

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source: “Everything I Know About Writing Poetry,” in A Hundred White Daffodils (Saint Paul, MN: Graywolf Press, 1999), 141.

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medium: nonfiction

“I think I’m the happiest I’ve ever been. Part of it is just learning what makes me happier and doing more of it, and learning what makes me unhappier and doing less of it.”

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source: interview, The Happiness Project

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medium: interview

“To allow oneself to be carried away by a multitude of conflicting concerns, to surrender to too many demands, to commit oneself to too many projects, to want to help everyone in everything is to succumb to violence. The frenzy of the activist neutralizes his or her work for peace.”

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source: Conjectures of a Guilty Bystander (New York: Doubleday, 2009), 81.

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medium: nonfiction

“‘Carpe diem’ doesn’t mean seize the day—it means something gentler and more sensible. ‘Carpe diem’ means pluck the day. Carpe, pluck. Seize the day would be ‘cape diem,’ if my school Latin serves. No R. Very different piece of advice. What Horace had in mind was that you should gently pull on the day’s stem, as if it were, say, a wildflower or an olive, holding it with all the practiced care of your thumb and the side of your finger, which knows how to not crush easily crushed things…Pluck the cranberry or blueberry of the day tenderly free without damaging it, is what Horace meant—pick the day, harvest the day, reap the day, mow the day, forage the day.”

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source: The Anthologist: A Novel (New York: Simon and Schuster, 2009), 127.

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medium: Novel

via: Whiskey River

“If you’re given the tools, you have a responsibility to use them. I’m doing what I’m cut out to do, the best thing I can do, until they throw dirt on me.”

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source: “Kris Kristofferson Is Still Living His Epic Life,” by Turk Pipkin, Esquire, May 12, 2014.

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medium: magazine profile

“A writer, or any man, must believe that whatever happens to him is an instrument; everything has been given for an end. This is even stronger in the case of the artist. Everything that happens, including humiliations, embarrassments, misfortunes, all has been given like clay, like material for one’s art. One must accept it. For this reason I speak in a poem of the ancient food of heroes: humiliation, unhappiness, discord. Those things are given to us to transform, so that we may make from the miserable circumstances of our lives things that are eternal, or aspire to be so.”

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source: “Blindness,” in Seven Nights (New York: New Directions, 2009), rev. ed., 120–21.

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medium: Lecture

“Smoking is rubbish, most of the time. But if I’d never smoked, I’d never have met Kurt Vonnegut. We were both at a huge party in New York, and I sneaked out onto the balcony for a cigarette, and there he was, smoking. So we talked—about C. S. Forester, I seem to remember. (That’s just a crappy and phony figure of speech. Of course I remember.) So tell your kids not to smoke, but it’s only fair to warn them of the downside, too: that they will therefore never get the chance to offer the greatest living writer in America a light.”

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source: “December 2003 & January 2004,” in The Polysyllabic Spree (San Francisco, CA: Believer Books, 2004), 44.

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medium: Essay

“Sometimes, the shortest path between two points is serpentine.”

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source: Red Brick, Black Mountain, White Clay: Reflections on Art, Family, and Survival (New York: The Penguin press, 2012), 15.

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medium: Memoir

“Mick has to dictate to life. He wants to control it. To me, life is a wild animal. You hope to deal with it when it leaps at you. That is the most marked difference between us. He can’t go to sleep without writing out what he’s going to do when he wakes up. I just hope to wake up, and it’s not a disaster.”

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source: Oct. 17, 2002 interview by David Fricke, in The Rolling Stone Interviews, ed. by Jann S. Wenner and Joe Levy (New York: Back Bay Books, 2007), 438.

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medium: Interview

“One doesn’t discover new lands without consenting to lose sight of the shore for a very long time.”

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source: The Counterfeiters: A Novel (New York: Random House, 2012), 353.

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medium: Fiction

via: Kathleen Buescher-Milligan

“As I’ve gone through life, I’ve found that your chances for happiness are increased if you wind up doing something that is a reflection of what you loved most when you were somewhere between nine and eleven years old…At that age, you know enough of the world to have opinions about things, but you’re not old enough yet to be overly influenced by the crowd or by what other people are doing or what you think you ‘should’ be doing. If what you do later on ties into that reservoir in some way, then you are nurturing some essential part of yourself.”

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source: The Conversations: Walter Murch and the Art of Editing Film, by Michael Ondaatje (New York: Random House, 2002).

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medium: Interview

“Do all the other things, the ambitious things—travel, get rich, get famous, innovate, lead, fall in love, make and lose fortunes, swim naked in wild jungle rivers (after first having it tested for monkey poop)—but as you do, to the extent that you can, err in the direction of kindness. Do those things that incline you toward the big questions, and avoid the things that would reduce you and make you trivial. That luminous part of you that exists beyond personality—your soul, if you will—is as bright and shining as any that has ever been. Bright as Shakespeare’s, bright as Gandhi’s, bright as Mother Theresa’s. Clear away everything that keeps you separate from this secret luminous place. Believe it exists, come to know it better, nurture it, share its fruits tirelessly.”

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source: convocation speech for the graduates of Syracuse University, 2013, reprinted on The 6th Floor Blog, New York Times, July 31, 2013. Full text here.

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medium: Convocation speech

via: Rachel Hass

“From this instance, reader, Be encouraged to diligence in thy calling And distrust not Providence.”

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source: Memoirs of Benjamin Franklin, Vol. 1 (Philadalphia, PA: McCarty & Davis, 1840), 5.

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medium: Epitaph

“Sometimes I tell myself, when I’m dealing with annoying adults, to picture the kid there. Because no matter how annoying the kid is, I can feel compassion for him or her.”

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source: The Woman Upstairs (New York: Knopf, 2013), 192.

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medium: Fiction

Q: Do you have words to live by?
A: Jim Jarmusch once told me “Fast, Cheap, and Good…pick two. If it’s fast and cheap it won’t be good. If it’s cheap and good it won’t be fast. If it’s fast and good it won’t be cheap.” Fast, cheap, and good…pick (2) words to live by.

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source: “Tom Waits Spills the Beans to Tom Waits,” Sound Effects Blog, Boston Globe, May 22, 2008.

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medium: Interview

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