Quotenik
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music

“In the dark times
Will there also be singing?
Yes, there will also be singing
About the dark times.”

Bertolt Brecht

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source: Bertolt Brecht: Poems 1913-1956 (New York: Taylor & Francis, 1987), 320.

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medium: Poetry

“The devil doesn’t have any music.”

Mavis Staples

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source: from various interviews, including “I Got a Lot More to Give,” by Greg Kot, Chicago Tribune, August 1, 2004; her answer to those who’ve accused her of playing “the Devil’s music” (i.e., secular music, since she comes from a Gospel background)

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medium: Interview

via: Jolie Holland

“Increasingly I think of myself as some strange and solitary conductor, introduced to a group of very dynamic musicians who happen to be my characters, and I have no idea how they are going to play together, and I have certainly no idea how I am going to put manners on them. I stroll out there into the emptiness of the pit and ask them for music. Who knows what they’re going to give me?”

Colum McCann

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source: “This Week in Fiction: Colum McCann,” by Deborah Treisman, The Book Bench blog, New Yorker, April 9, 2012.

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medium: Interview

“I am very influenced by the people who influenced my influences, and I am influenced even more by the people who influenced them.”

M. Ward

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source: “Stepping Out of the Shadows With a Sunnier Sound,” by James C. McKinley Jr, New York Times, April 1, 2012.

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medium: Interview

“Children make up the best songs, anyway. Better than grown-ups. Kids are always working on songs and then throwing them away, like little origami things or paper airplanes. They don’t care if they lose it; they’ll just make another one.”

Tom Waits

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source: “Play It Like Your Hair’s On Fire,” by Elizabeth Gilbert in Da Capo Best Music Writing 2003 (New York: Da Capo Press, 2003), 100.

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medium: Magazine profile

“I think I get so in love with a band that I just end up pretty much copying them. And I hope that the originality can come from the fact that you’re in love with 1,000 bands and they’re all completely different. So that when you copy all of them at once, that’s how you create something new.”

Jack Steadman

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“I want records to be like newspapers. I’d like them to come out at least once a week, or twice a week. With this song [‘Instant Karma!’], we wrote it in the morning, recorded and re-mixed it and got it out in a week, here and in the States, which was pretty fast and moving. I want it to be like that, you know. I want to be able to put it out as it happens. I write songs about what’s happening to me at that moment and I want it to be out at that moment. I don’t care what name goes on it.”

John Lennon

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source: 1970 interview with BBC Radio host David Wigg, quoted in The Beatles: Off the Record, by Keith Badman (London: Omnibus Press, 2008), 487.

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medium: Interview

“Everyone thinks that Beethoven had his string quartets completely in his head—they somehow formed in his head—and all he had to do was write them down, and they would kind of be manifest to the world. But what I think is so interesting, and what would really be a lesson that everybody should learn, is that things come out of nothing. Things evolve out of nothing. You know, that the tiniest seed in the right situation turns into the most beautiful forest. And then the most promising seed in the wrong situation turns into nothing. And I think this would be important for people to understand, because it gives people confidence in their own lives that that’s how things work.
        If you walk around with the idea that there are some people who are so gifted—they have these wonderful things in their head but you’re not one of them, you’re just sort of a normal person, you could never do anything like that—then you live a different kind of life. You could have another kind of life, where you say, well, I know that things come from nothing very much, and start from unpromising beginnings. And I’m an unpromising beginning, and I could start something.”

Brian Eno

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source: quoted in Brian Eno’s Another Green World by Geeta Dayal (New York: Continuum International Publishing Group, 2009), 31.

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medium: Conversation

via: Kevin Lippert

“If you break open a song, you’ll find the eggs of other songs.”

Tom Waits

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source: Twitter, Dec 15, 2011

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medium: Social media

via: Austin Kleon

“Anyone who’s grown up listening to albums and then to CDs can’t help but feel sad about the atomization of music consumption. It would be like if we couldn’t publish a book anymore, only chapters.”

Jennifer Egan

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source: Heidi Julavits interview with Jennifer Egan, BOMB magazine, Issue 112, summer 2010.

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medium: Interview

“All of us have a personal sound that’s coming from our limitations. What makes a sound unique is the inability to do what we’re trying to do. You know that thing about Miles Davis: when he was young and trying to play like Dizzy Gillespie, he said he couldn’t play that high or that fast. If he could have just played like Dizzy Gillespie, then there wouldn’t be any Miles Davis.”

Bill Frisell

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source: Marc Ribot interview with Bill Frisell, BOMB magazine , Issue 79, Spring 2002.

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medium: Interview

“Failure is a big source of innovation in music.”

Brian Eno

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source: Soundcheck, NPR, “Musical Chain Letter: Brian Eno,” November 11, 2011.

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medium: Interview

“Bands, especially when they’re good ones, can be like families, but unlike biological families—at least unlike my biological family—people in my band listen to each other.”

Marc Ribot

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source: Marc Ribot interview with Bill Frisell, BOMB magazine , Issue 79, Spring 2002.

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medium: Interview

“For a songwriter, you don’t really go to songwriting school. You learn by listening to tunes, and you try to understand them and take them apart and see what they’re made of, and wonder if you can make one, too. You know, and you just do it by picking up the needle and putting it back down and figuring out how these people did this magical thing. It’s like—it’s rather mystifying when you think about songs, where they come from and how they’re born.”

Tom Waits

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source: Interview with Terry Gross on Fresh Air, NPR, October 31, 2011. [full transcript here]

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medium: Interview

via: Austin Kleon

“I think this whole division between the genres has more to do with marketing than anything else. It’s terrible for the culture of music.”

Tom Waits

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source: Pitchfork, “Tom Waits: The one-of-a-kind singer-songwriter on his new LP, Bad as Me,” Mark Richardson, October 18, 2011.

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medium: Interview

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