Quotenik
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imagination

“Next to imagination you have to have perseverance in order to create something of value. I may even say that perseverance is more important than imagination in a certain sense. A modest amount of imagination with a great ability to persevere can produce an important work. Great imagination lacking the perseverance to develop, shape, and carry it out can result in failure.”

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source: Saul Bass: A Life in Film & Design, by Jennifer Bass and Pat Kirkham (London: Laurence King Publishing, 2011), 386.

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medium: Nonfiction

“The most hopeful sign, the only one, in these hard times is how much individual initiative manages to make its way up through the asphalt, so many tough shoots of human imagination.”

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source: Journal of a Solitude (New York: W. W. Norton & Company, 1973), 18.

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medium: Journal

“It would be a complete error to suppose that the great discoverer is one who seizes at once unerringly upon the truth, or has any special method of divining it. In all probability the errors of the great mind far exceed in number those of the less vigorous one. Fertility of imagination and abundance of guesses at truth are among the first requisites of discovery; but the erroneous guesses must almost of necessity be many times as numerous as those which prove well founded. The weakest analogies, the most whimsical notions, the most apparently absurd theories, may pass through the teeming brain, and no record may remain of more than the hundredth part.”

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source: The Principles of Science (London: Macmillan, 1874), 221–22.

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medium: Nonfiction

“Anyone who writes down to children is simply wasting his time. You have to write up, not down. Children are demanding. They are the most attentive, curious, eager, observant, sensitive, quick, and generally congenial readers on earth. They accept, almost without question, anything you present them with, as long as it is presented honestly, fearlessly, and clearly. I handed them, against the advice of experts, a mouse-boy, and they accepted it without a quiver. In Charlotte’s Web, I gave them a literate spider, and they took that.”

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source: The Paris Review Interviews, vol. IV (New York: Picador, 2009), 147.

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medium: Interview

“You know, they ask me if I were on a desert island and knew nobody would ever see what I wrote, would I go on writing. My answer is most emphatically yes. I would go on writing for company. Because I’m creating an imaginary—it’s always imaginary—world in which I would like to live.”

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source: “The Art of Fiction No. 36,” The Paris Review, interviewed by Conrad Knickerbocker, Fall 1965.

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medium: Interview

“Outside the window, there was so much to see, and hear, and touch—walks to take, hills to climb, caterpillars to watch as they strolled through the garden […] And, in the very room in which he sat, there were books that could take you anywhere, and things to invent, and make, and build, and break, and all the puzzle and excitement of everything he didn’t know—music to play, songs to sing, and worlds to imagine and then someday make real.”

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source: The Phantom Tollbooth (New York: Random House, 1961), 255–56.

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medium: Fiction

notes: Quoted in The Phantom Tollbooth and the Wonder of Words,” by Michael Chabon, The New York Review of Books Blog, April 21, 2011.

“At the margins of his imagination, the seed for a later project began to spread shoots.”

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source: Reading My Father (New York: Scribner, 2011), 130.

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medium: Memoir

“Choosing to live in narrow spaces leads to a form of mental agoraphobia, and that brings its own terrors. I think the willfully unimaginative see more monsters. They are often more afraid.”

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source: Harvard commencement speech, June 2008

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medium: Speech

“I seem slowly to be getting over what I imagined was the matter with me.”

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source: February 23, 1932 letter to Louis Untermeyer from Amherst, Massachusetts, in The Letters of Robert Frost to Louis Untermeyer (New York: Holt, Rinehart and Winston, 1963), 220.

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medium: Letter

“From the seed of fact grows the great vine of imagination, twining and intertwining, casting shadow, bearing fruit sometimes sweet, sometimes bitter.”

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source: “Monsieur Pain by Roberto Bolaño,” The Guardian, January 29, 2011.

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medium: book review

via: The Bronze Medal

“There is as emphatically a morality expressed in Babylonian architecture or Baroque architecture as if it were plastered all over with Biblical texts. Now in the same manner there is at the back of every artist’s mind something like a pattern or a type of architecture. The original quality in any man of imagination is imagery. It is a thing like the landscapes of his dreams; the sort of world he would wish to make or in which he would wish to wander; the strange flora and fauna of his own secret planet; the sort of thing that he likes to think about.”

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source: “In the Country of Skelt,” in The Collected Works of G. K. Chesterton, vol 18 (San Francisco, CA: Ignatius Press, 1991), 53.

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medium: essay

“I imagined everything. I never thought it would happen.”

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source: Life (New York: Little, Brown and Company, 2010), 32.

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medium: memoir

notes: written with James Fox

“It takes a particular lack of imagination to feel no discomfort in the presence of a cleaner.”

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source: Twitter, 11:03 AM Apr 9, 2010 via web

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“Ultimately I look upon writing as wings. We are pedestrians, we walk along the earth; we may love the earth, but the moment of absolute magic is when our imagination allows us to take flights into vaster, more entrancing worlds.”

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source: The Diary of Anaïs Nin (Vol 7, 1966–1974) (New York: Harcourt Brace Jovanovich, 1980), 85.

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medium: diary

notes: from spring, 1969 entry in Nin's diary

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