Oh, domesticity! The wonder of dinner plates and cream pitchers. You know your friends by their ornaments. You want everything. If Mrs. A has her mama’s old jelly mold, you want one, too, and everything that goes with it—the family, the tradition, the years of having jelly molded in it. We domestic sensualists live in a state of longing, no matter how comfortable our own places are.
“The Lone Pilgrim,” in The Lone Pilgrim (New York: Perennial Library, 2001), 6.
Any nostalgia I feel is literary. I remember my childhood with tears, but they’re rhythmic tears, in which prose is already being formed. I remember it as something external, and it comes back to me through external things; I remember only external things. It’s not the stillness of evenings in the country that endears me to the childhood I spent there, it’s the way the table was set for tea, it’s the way the furniture was arranged in the room, it’s the faces and physical gestures of the people. I feel nostalgia for scenes.
Fernando Pessoa, The Book of Disquiet (London: Penguin, 2002), 183–84.