(b. 1958– )
U.S. author
Lorrie Moore
I cried for the boyfriends I was no longer with, the people and places I no longer knew very well, for my parents and grandparents ailing and stuck in Florida, their tough, unchanging forms conjured only in memory: a jewel box kept in a medicine cabinet in the attic of a house on the moon; that’s where their unchanging forms were kept. I cried for everyone and for all the scrabbly, funny love one sent out into the world like some hit song that enters space and bounds off to another galaxy, a tune so pretty you think the words are true, you do! There was never any containing a song like that, keeping it. It went off and out, speeding out of earshot or imagining or any reach at all, like a rocket invented in sleep.
Who Will Run the Frog Hospital? (New York: Alfred A. Knopf, 1994), 143.
It was like the classic scene in the movies where one lover is on the train and one is on the platform and the train starts to pull away, and the lover on the platform begins to trot along and then jog and then sprint and then gives up altogether as the train speeds irrevocably off. Except in this case I was all the parts: I was the lover on the platform, I was the lover on the train. And I was also the train.
A Gate at the Stairs (New York: Random House, 2009), 211.