
(b. 1959– )
English novelist, journalist, and gourmet food shop owner“If poetry was a rope, then the books themselves were rafts. At my most precarious I balanced on a book, and the books rafted me over the tides of feelings that left me soaked and shattered.”
more infosource: Why Be Happy When You Could Be Normal? (New York: Grove Press, 2011), 164.
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category: book, poetry, reading
medium: Memoir
“The more I read, the more I felt connected across time to other lives and deeper sympathies. I felt less isolated. I wasn’t floating on my little raft in the present; there were bridges that led over to solid ground. Yes, the past is another country, but one that we can visit, and once there we can bring back the things we need.”
more infosource: Why Be Happy When You Could Be Normal? (New York: Grove Press, 2011), 144.
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medium: Memoir
“Love is vivid. I never wanted the pale version. Love is full strength. I never wanted the diluted version. I never shied away from love’s hugeness but I had no idea that love could be as reliable as the sun. The daily rising of love.”
more infosource: Why Be Happy When You Could Be Normal? (New York: Grove Press, 2011), 77.
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category: love
medium: Memoir
“Aunt Nellie cannot have had much money. Twice a week she had all the neighborhood children she could squeeze into her one room and she made onion soup or potato soup and all the children brought their own cup and she ladled it out off the stove.
She taught them songs and she told them Bible stories and thirty or forty skinny hungry kids queued outside and sometimes brought things from their mothers—buns or toffees—and everybody shared. They all had nits. They all loved her and she loved them. She called her dank dark little house with its one window and black walls ‘Sunshine Corner.’
It was my first lesson in love.”
source: Why Be Happy When You Could Be Normal? (New York: Grove Press, 2011), 75.
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category: children, generosity, hunger, love
medium: Memoir
“The library was quiet. It was busy but it was quiet and I thought it must be like this in a monastery where you had company and sympathy but your thoughts were your own. I looked up at the enormous stained-glass window and the beautiful oak staircase. I loved that building.”
more infosource: Why Be Happy When You Could Be Normal? (New York: Grove Press, 2011), 127.
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category: library, monastery, quiet, solitude
medium: Memoir
“When we tell a story we exercise control, but in such a way as to leave a gap, an opening. It is a version, but never the final one. And perhaps we hope that the silences will be heard by someone else, and the story can continue, can be retold.”
more infosource: Why Be Happy When You Could Be Normal? (New York: Grove Press, 2011), 8.
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category: creative process, silence, story, writing
medium: Memoir
“I have a theory that every time you make an important choice, the part of you left behind continues the other life you could have had.”
more infosource: Oranges Are Not the Only Fruit (New York: Grove Press, 1985), 169.
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category: choice, decision, life
medium: Fiction
“Our mental processes are closer to a maze than a motorway.”
more infosource: “Redemption Songs,” by Maya Jaggi, The Guardian, May 29, 2004.
category: labyrinth, maze, mind, motorway
medium: newspaper profile
“I don’t understand why people talk of art as a luxury when it’s a mind-altering possibility. I don’t even want to please the reader, I want to change them, to expand their imaginations, seduce them, free them, take them to a place they haven’t been before.”
more infosource: “Redemption Songs,” by Maya Jaggi, The Guardian, May 29, 2004.
category: art, change, transform, writing
medium: newspaper profile
“The fluttering in the stomach goes away and the dull waking pain. Sometimes I think of you and I feel giddy. Memory makes me lightheaded, drunk on champagne. All the things we did. And if anyone had said this was the price I would have agreed to pay it. That surprises me; that with the hurt and the mess comes a shaft of recognition. It was worth it. Love is worth it.”
more infosource: Written on the Body (New York: Vintage Books, 1994), 156.
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category: breakup, loss, love, memory
medium: fiction
“It is sometimes necessary to be silent for months before the central image of a book can occur. I do not write every day, I read every day, think every day, work in the garden every day, and recognize in nature the same slow complicity. The same inevitability. The moment will arrive, always it does, it can be predicted but it cannot be demanded. I do not think of this as inspiration. I think of it as readiness. A writer lives in a constant state of readiness. For me, the fragments of the image I seek are stellar; they beguile me, as stars do, I seek to describe them, to interpret them, but I cannot possess them, they are too far away.”
more info“If truth is that which lasts, then art has proved truer than any other human endeavor. What is certain is that pictures and poetry and music are not only marks in time but marks through time, of their own time and ours, not antique or historical, but living as they ever did, exuberantly, untired.”
more infosource: Art Objects: Essays in Ecstasy and Effrontery (New York: Alfred A. Knopf, 1996), epigraph
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category: art, creativity, music, poetry, truth
medium: nonfiction
“Never say that something has moved you if you are still in the same place.”
more infosource: Art Objects: Essays on Ecstasy and Effrontery (London: Jonathan Cape, 1995), 122.
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category: advice, dishonesty, lie
medium: nonfiction
“You can pick up a book but a book can throw you across the room. A book can move you from a comfortable armchair to a rocky place where the sea is. A book can separate you from your husband, your wife, your children, all that you are. It can heal you out of a lifetime of pain. Books are kinetic, and like all huge forces, need to be handled with care. But they do need to be handled.”
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Jeanette Winterson